How do photographs compel belief and endow knowledge? To understand the impact of photography in a given era, we must study the adjacent forms of visual persuasion with which photographs compete and collaborate. In photographys early days, magic shows, scientific demonstrations, and philosophical games repeatedly put the visual credulity of the modern public to the test in ways that shaped, and were shaped by, the reality claims of photography. These venues invited viewers to judge the reliability of their own visual experiences. Photography resided at the center of a constellation of places and practices in which the task of visual discernmentof telling the real from the constructedbecame an increasingly crucial element of ones location in cultural, political, and social relations. In Disillusioned: Victorian Photography and the Discerning Subject, Jordan Bear tells the story of how photographic trickery in the 1850s and 1860s participated in the fashioning of the modern subject. By locating specific mechanisms of photographic deception employed by the leading mid-century photographers within this capacious culture of discernment, Disillusioned integrates some of the most strikingand puzzlingimages of the Victorian period into a new and expansive interpretive framework.
Dive into the captivating world of Victorian photography and its profound impact on modern perception with Jordan Bear's "Disillusioned: Victorian Photography and the Discerning Subject." This insightful reprint, published by Penn State University Press in 2016, unveils the intricate relationship between photography, visual culture, and the formation of the modern individual in the mid-19th century. Bear's meticulously researched work goes beyond a simple history of photography. It delves into the vibrant landscape of Victorian visual entertainment, exploring how magic shows, scientific demonstrations, and philosophical games challenged and shaped the public's understanding of visual truth. In an era where the line between reality and illusion was increasingly blurred, photography emerged as a central player in the ongoing debate about visual credibility. "Disillusioned" sheds light on how photographic trickery, employed by leading Victorian photographers, became integral to the fashioning of the "discerning subject" an individual trained to critically evaluate visual information. The book meticulously examines specific mechanisms of photographic deception, placing them within the broader context of Victorian society's obsession with visual discernment. By doing so, Bear offers a fresh and expansive interpretive framework for understanding some of the most striking and enigmatic images of the era. Jordan Bear doesn't just present historical facts; he constructs a compelling narrative that illuminates the cultural, political, and social forces that shaped the way Victorians perceived the world. The book encourages readers to question their own assumptions about the nature of visual representation and the power of images to influence belief. This thought-provoking exploration of Victorian photography is perfect for anyone interested in: * **The history of photography:** Gain a deeper understanding of the early development of photography and its role in shaping modern visual culture. * **Victorian culture:** Explore the fascinating world of Victorian entertainment, science, and philosophy, and how these fields interacted with the rise of photography. * **Visual studies:** Examine the theoretical frameworks used to analyze and interpret visual images, and how these frameworks can be applied to the study of Victorian photography. * **The philosophy of perception:** Consider the nature of visual perception and the challenges of distinguishing between reality and illusion. "Disillusioned: Victorian Photography and the Discerning Subject" is more than just a book; it's an invitation to reconsider the way we see and understand the world. Prepare to be captivated by the rich detail, insightful analysis, and thought-provoking arguments presented in this essential work of photographic history and cultural criticism. This reprint edition ensures that Bear's important contribution to the field is readily accessible to a new generation of scholars and enthusiasts.