The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s

Dive deep into the vibrant and theoretically charged art world of the 1980s with David Carrier's insightful and provocative book, "The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s." This First Edition hardcover, published by Penn State University Press in 1994, offers a unique and personal perspective on a pivotal decade in American art history, when the art market boomed and critical discourse was dominated by complex theoretical frameworks. Carrier, a renowned art critic and philosopher, doesn't just recount the events of the era; he actively engages with the key theoretical debates and artistic developments. He expertly navigates the often-turbulent waters of art criticism and art history writing, offering a constructive critical analysis of influential thinkers like Jean Baudrillard, Walter Benjamin, T.J. Clark, and Jacques Derrida. Rather than simply accepting their pronouncements, Carrier rigorously examines their ideas and their impact on the art world. "The Aesthete in the City" moves beyond abstract theorizing to provide detailed accounts of specific painters who shaped the decade. Carrier offers insightful analyses of the work of Thomas Nozkowski, David Reed, and Sean Scully, artists whose careers he followed closely. He illuminates their individual approaches to abstract painting and their contributions to the broader artistic landscape. A central argument of the book is that Abstract Expressionism, the defining American artistic movement of the mid-20th century, continues to exert a powerful influence on subsequent generations of artists. Carrier posits that abstract painting remains a vibrant and evolving tradition, with a rich potential that has yet to be fully explored. He challenges the notion that abstract art is exhausted or irrelevant, arguing for its enduring significance in the contemporary world. Beyond its examination of specific artists and theoretical perspectives, "The Aesthete in the City" also provides valuable insights into the methodologies of art criticism. Carrier draws upon his earlier philosophical work to offer a nuanced understanding of how art critics engage with and interpret works of art. He emphasizes the importance of concrete discussions of individual theorists and artists, grounding his analysis in specific examples and observations. This book is essential reading for anyone interested in American art, art criticism, art history, or the intellectual history of the 1980s. It offers a compelling blend of theoretical sophistication and concrete analysis, making it accessible to both scholars and general readers. Carrier's clear and engaging prose brings the art world of the 1980s to life, offering a fresh and insightful perspective on a fascinating period in art history. Weighing in at 767 grams and spanning 290 pages, this book is more than just a collection of essays; it's a thoughtful and enduring contribution to the field of art criticism. Secure your copy of this rare First Edition and explore the complexities of American abstract painting through the discerning eyes of David Carrier. ISBN-13: 9780271009438 and ISBN-10: 0271009438.