Wild Art refers to work that exists outside the established, rarified world of art galleries and cultural channels. It encompasses uncatalogued, uncommodified art not often recognized as such, from graffiti to performance, self-adornment, and beyond. Picking up from their breakthrough book on the subject, Wild Art, David Carrier and Joachim Pissarro here delve into the ideas driving these forms of art, inquire how it came to be marginalized, and advocate for a definition of taste, one in which each expression is acknowledged as being different while deserving equal merit.
Arguing that both the art world and wild art have the same capacity to produce aesthetic joy, Carrier and Pissarro contend that watching skateboarders perform Christ Air, for example, produces the same sublime experience in one audience that another enjoys while taking in a ballet; therefore, both mediums deserve careful reconsideration. In making their case, the two provide a history of the institutionalization of taste in Western thought, point to missed opportunities for its democratization in the past, and demonstrate how the recognition and acceptance of wild art in the present will radically transform our understanding of contemporary visual art in the future.
Provocative and optimistic, Aesthetics of the Margins / The Margins of Aesthetics rejects the concept of kitsch and the high/low art binary, ultimately challenging the art world to become a larger and more inclusive place.
Dive into the groundbreaking exploration of art beyond the gallery walls with "Aesthetics of the Margins / The Margins of Aesthetics: Wild Art Explained" by esteemed authors David Carrier and Joachim Pissarro. This thought-provoking hardcover edition challenges conventional notions of taste and the art world's often-rigid boundaries, inviting readers to reconsider what constitutes art and where true aesthetic value lies. Following up on their acclaimed previous work, "Wild Art," Carrier and Pissarro delve deeper into the philosophical underpinnings of art forms existing outside the established art market. They meticulously dissect the historical processes that have marginalized these expressions, ranging from street art and graffiti to performance art, body art, and various forms of self-expression. The authors argue passionately for a more democratic and inclusive understanding of art, one that acknowledges the inherent worth and unique qualities of each form. "Aesthetics of the Margins / The Margins of Aesthetics" dismantles the traditional high/low art dichotomy and directly confronts the concept of "kitsch," urging a radical rethinking of aesthetic judgment. Carrier and Pissarro boldly propose that the sublime experience can be found in unexpected places, such as the skillful execution of a skateboard trick or the captivating energy of a street performance, with no less validity than that derived from a classical ballet or a museum masterpiece. They champion the idea that aesthetic appreciation is not the sole domain of the elite but a potential experience accessible to all. Published by Penn State University Press, this meticulously researched and passionately argued book offers a comprehensive historical perspective on the institutionalization of taste in Western thought. It examines past opportunities for democratization that were missed and highlights the transformative potential of embracing "wild art" in the contemporary art landscape. By challenging the status quo, Carrier and Pissarro pave the way for a future where the definition of visual art expands to encompass a broader spectrum of human creativity and expression. This book is not just an academic treatise; it's a call to action. It invites artists, critics, and art enthusiasts alike to question their preconceived notions, embrace the unconventional, and advocate for a more inclusive and vibrant art world. Whether you're a seasoned art professional or simply curious about the world beyond the museum walls, "Aesthetics of the Margins / The Margins of Aesthetics" offers a refreshing and illuminating perspective on the power and potential of art in all its forms. Prepare to have your assumptions challenged and your appreciation for the art world broadened by this essential contribution to contemporary art theory. Carrier, a renowned art critic known for his analytical approach, and Pissarro, with his extensive knowledge of art history and his lineage connected to the famous Impressionist Camille Pissarro, bring a unique blend of expertise and insight to this fascinating subject. Their collaboration offers a rich and nuanced exploration of the aesthetics of the margins, making this book a valuable addition to any art lover's library. It is a must-read for those seeking to understand and appreciate the diverse and evolving landscape of contemporary art.