This important book showcases institutional and private efforts to collect, document, and preserve African American art in Americans fourth largest city, Houston, Texas. Eminent historian John Hope Franklins essay reveals his passionate commitment to collect African American art, while curator Alvia J. Wardlaw discusses works by Robert S. Duncanson, Henry Ossawa Tanner, Horace Pippen, and Bill Traylor as well as pieces by contemporary artists Kojo Griffin and Mequitta Ahuja. Quilts, pottery, and a desk made by an African American slave for his daughter contribute to the overview.
The book also focuses on the collections of the black intelligentsia, African Americans who taught at black colleges like Fisk University, where Aaron Douglas founded the art department. A number of the artists represented were collected privately before they were able to exhibit in mainstream museums.
Distributed for The Museum of Fine Arts, Houston
Discover a vibrant tapestry of artistic expression and cultural preservation in "Collecting African American Art: The Museum of Fine Arts, Houston," a compelling exploration of institutional and private efforts to champion African American art within Houston, Texas, the fourth-largest city in the United States. This insightful book, co-authored by the esteemed historian John Hope Franklin and curator Alvia J. Wardlaw, offers a unique perspective on the development and significance of these collections. John Hope Franklin, a towering figure in American history known for his groundbreaking work on African American history, lends his passionate voice to this project, revealing his lifelong commitment to collecting and preserving African American art. His personal essay provides a powerful testament to the importance of recognizing and celebrating the artistic contributions of African Americans. Alvia J. Wardlaw, a renowned curator with expertise in African American art, provides in-depth analyses of key works within the collections. She expertly guides readers through the artistic landscape, highlighting pieces by seminal figures such as Robert S. Duncanson, a leading landscape painter of the 19th century; Henry Ossawa Tanner, celebrated for his religious and genre paintings; Horace Pippen, a self-taught folk artist known for his depictions of African American life; and Bill Traylor, a formerly enslaved artist whose drawings offer a raw and powerful glimpse into the past. The book also shines a spotlight on contemporary artists like Kojo Griffin and Mequitta Ahuja, demonstrating the continued vibrancy and evolution of African American artistic expression. Beyond paintings and sculptures, "Collecting African American Art" showcases a diverse range of artistic mediums, including intricately crafted quilts, skillfully made pottery, and even a poignant desk created by an enslaved African American for his daughter. These objects offer a tangible connection to the past, providing a glimpse into the lives and experiences of African Americans throughout history. The book also delves into the fascinating world of the "black intelligentsia" and their crucial role in nurturing African American artistic talent. It examines the collections of African Americans who taught at historically black colleges and universities, such as Fisk University, where Aaron Douglas, a prominent figure of the Harlem Renaissance, established the art department. The book underscores the significance of these institutions in providing a platform for African American artists and fostering a supportive environment for their creative endeavors. A recurring theme is the foresight of these collectors who championed artists often overlooked by mainstream museums, acquiring their works privately before they gained wider recognition. Their dedication ensured that these artistic treasures were preserved for future generations. "Collecting African American Art: The Museum of Fine Arts, Houston" offers a comprehensive and engaging look at the rich artistic heritage of African Americans and the dedicated individuals and institutions that have worked tirelessly to preserve and celebrate it. Published in conjunction with The Museum of Fine Arts, Houston, this book serves as a valuable resource for art enthusiasts, historians, and anyone interested in learning more about the vital contributions of African American artists to the cultural landscape of the United States. Perfect for scholars, students, and general readers alike, this paperback edition offers an accessible and informative exploration of a vital aspect of American art history.
