A Courtier’s Mirror establishes the unique importance of Thomasin von Zerclaere’s Welscher Gast as a document of social practices and concerns in medieval German-speaking court society. This epic-length illustrated didactic poem enjoyed immense popularity in the Middle Ages, resulting in twenty-five redactions produced over two hundred and fifty years. Through a detailed study of word and image, Kathryn Starkey argues that this poem offered instruction, affirmation, and an evolving image cycle in which courtly behaviors were effectively conveyed. As the first book-length study in English, A Courtier’s Mirror not only provides a framework for understanding the Welscher Gast and its images, but further explores the rich manuscript reception of the poem and the careful cultivation of a distinct elite identity.
Throughout its continued popularity, Starkey argues that the illustrated poem participates in the construction of elite secular identity for an audience that was concerned with distinguishing itself socially and emancipating itself from clerical society. As its audience shifts from rural ministerial family to urban burgher, so the staging of the poem also changes. Starkey selects redactions to show that while the text received only minor revisions over the years, the extensive illumination program and the poem’s formatting changed significantly and with deliberate intent. She identifies the 1340 Gotha redaction as the most striking example of a redesigned and expanded image cycle intended to convey models of courtly behavior. Starkey places this manuscript, in particular, in its historical context and convincingly argues for its special place within the reception of Der Welsche Gast.
Supported by extensive appendices and a full set of color illustrations of the Gotha manuscript, as well as select illustrations from other manuscripts, A Courtier’s Mirror presents vital new research on the complexity of the interrelation of text and image. As such, it will be of interest to scholars of medieval studies, art history, manuscript illustration, and the history of the book.
**Delve into Medieval Courtly Life with *A Courtier's Mirror: Cultivating Elite Identity in Thomasin von Zerclaere's Welscher Gast*** Uncover the fascinating world of medieval German court society through Kathryn Starkey's groundbreaking study, *A Courtier's Mirror*. This illuminating work shines a spotlight on Thomasin von Zerclaere's *Welscher Gast* (The Italian Guest), a widely popular epic-length didactic poem that served as a practical guide to social conduct and etiquette for the aspiring elite. This first edition, published by the University of Notre Dame Press, provides a unique window into the values, aspirations, and evolving identities of the medieval aristocracy. Starkey's *A Courtier's Mirror* goes beyond a simple textual analysis, meticulously examining the interplay between word and image in the *Welscher Gast*. With twenty-five known redactions produced over two and a half centuries, the poem enjoyed remarkable longevity, signifying its enduring relevance to successive generations. Starkey expertly demonstrates how the poem functioned as a multifaceted tool, offering not only instruction on proper behavior but also affirming existing social hierarchies and shaping a distinct sense of elite identity. Unlike earlier scholarship, this book provides an unprecedented, book-length exploration in English. Starkey offers a comprehensive framework for understanding the *Welscher Gast* and its intricate image cycle, revealing how courtly behaviors were effectively communicated and reinforced through visual representation. The book delves into the rich manuscript reception of the poem, tracing its evolution and adaptation across different social contexts. Through careful analysis of select redactions, including a close examination of the remarkable 1340 Gotha manuscript, Starkey reveals how the poem's illumination program underwent significant transformations, reflecting the changing concerns and aspirations of its audience. The Gotha redaction, with its redesigned and expanded image cycle, emerges as a particularly compelling example of how the *Welscher Gast* was strategically adapted to convey evolving models of courtly behavior. Starkey places this manuscript within its precise historical context, convincingly arguing for its central place in the poem's reception history. She demonstrates how the *Welscher Gast* participated in the construction of secular identity as the intended audience grew from rural ministerial families to urban burghers. *A Courtier's Mirror* argues that the *Welscher Gast* played a crucial role in the construction of elite secular identity for an audience eager to distinguish itself socially and assert its independence from ecclesiastical influence. By analyzing the subtle yet significant revisions made to the poem's formatting and illustration programs, Starkey unveils the deliberate intent behind these changes, highlighting the poem's dynamic engagement with its audience. The book is enhanced by extensive appendices, providing valuable resources for further research. A stunning collection of color illustrations showcases the beauty and complexity of the Gotha manuscript, as well as carefully selected images from other key manuscripts, bringing the *Welscher Gast* to life for modern readers. The color images are a crucial feature of this work. *A Courtier's Mirror* is an indispensable resource for scholars and students of medieval studies, art history, manuscript illustration, and the history of the book. It offers a fresh perspective on a significant work of medieval literature and provides valuable insights into the cultural and social dynamics of courtly life. This is a must-have for any serious academic library.