In a theatre which self-consciously cultivated its audiences imagination, how and what did playgoers see on the stage? This book reconstructs one aspect of that imaginative process. It considers a range of printed and documentary evidence – the majority previously unpublished – for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their representations of domesticity. It therefore offers a new method for understanding theatrical representations, based around a truly interdisciplinary study of the interaction between literary and historical methods.
The plays she cites include Arden of Faversham, Two Lamentable Tragedies, A Woman Killed With Kindness, and A Yorkshire Tragedy.
Delve into the fascinating intersection of domesticity and drama in early modern England with Catherine Richardson's insightful book, *Domestic Life and Domestic Tragedy in Early Modern England: The Material Life of the Household*. This meticulously researched and compellingly argued work sheds new light on how audiences of the time perceived and interpreted theatrical representations of home and family. Richardson goes beyond traditional literary analysis, offering a truly interdisciplinary approach. She masterfully blends historical and literary methods to reconstruct the "material life of the household" the everyday objects, spaces, and routines that shaped the lived experiences of ordinary people in 16th-century England. By examining a wealth of previously unpublished documentary evidence, including household inventories, wills, and personal letters, she unveils the intricate details of early modern domestic life. This rich historical context allows Richardson to illuminate how playwrights tapped into prevalent attitudes and anxieties surrounding the home to create powerful and emotionally resonant tragedies. This groundbreaking study explores how the burgeoning theatre scene of the time actively engaged with its audience's imaginations. Richardson carefully considers the ways in which stage productions evoked and manipulated the audience's understanding of familiar domestic spaces and social structures. Her analysis reveals the sophisticated techniques employed by playwrights to elicit specific emotional responses and to challenge or reinforce prevailing social norms. Richardson doesn't just focus on the historical context; she provides insightful literary analysis of key domestic tragedies of the period. She examines plays such as *Arden of Faversham*, *Two Lamentable Tragedies*, *A Woman Killed With Kindness*, and *A Yorkshire Tragedy*, demonstrating how these works reflected and refracted the complex realities of domestic life. By closely analyzing these plays through the lens of material culture, Richardson offers fresh interpretations that challenge conventional readings. She illuminates the subtle ways in which playwrights used domestic settings and objects to explore themes of violence, betrayal, social mobility, and the precariousness of family life. *Domestic Life and Domestic Tragedy in Early Modern England* is more than just a literary study; it's a window into the lives of ordinary people in a pivotal period of English history. It's a compelling exploration of how the theatre both reflected and shaped the social and cultural landscape of early modern England. This book will be an invaluable resource for scholars and students of English literature, history, and theatre studies, and for anyone interested in gaining a deeper understanding of the fascinating world of early modern domestic life. Prepare to have your understanding of early modern theatre and society profoundly enriched by Catherine Richardson's insightful and engaging scholarship. Published by Manchester University Press, this hardcover edition contains 256 pages of captivating research and analysis.