Exorcism: A Play in One Act

22,92 $

Unearth a hidden gem of American theater with Eugene O’Neill’s “Exorcism: A Play in One Act.” Suppressed for nearly a century and believed lost, this rediscovered autobiographical work offers a raw, unfiltered glimpse into the playwright’s early struggles. This First Edition hardcover (Yale University Press, 2012) unveils a pivotal moment in O’Neill’s life a suicide attempt that fueled his artistic fire. “Exorcism” explores themes of addiction, family strife, and the haunting specter of the past, prefiguring the depth of “Long Day’s Journey into Night.” Rediscovered amongst the papers of screenwriter Philip Yordan, this play, complete with O’Neill’s own edits, is a significant addition to O’Neill scholarship and a compelling read for anyone fascinated by the human condition. Experience the genesis of a dramatic master in this intimate and powerful one-act play which was also featured in The New Yorker.

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Description

A thrilling archival discovery and literary eventthe publication, after ninety years, of a sharply autobiographical one-act play by the father of modern American theater

Shortly after the debut of Exorcism in 1920, Eugene ONeill suddenly canceled production and ordered all extant copies of the drama destroyed. For over ninety years, it was believed that the play was irrevocably lost, until it was recently discovered that ONeills second wife had in fact retained a copy, which she later gave to the prolific screenwriter and producer Philip Yordan. In early 2011, Yordans widow discovered the typescript of Exorcismcomplete with edits in ONeills own handin her late husbands vast trove of papers. The discovery and publication of Exorcism, a relatively early play in the ONeill corpus, furthers our knowledge of ONeills dramatic development and reveals a pivotal point in the career of this great American playwright.
Revolving around a suicide attempt, Exorcism draws on a dark incident in ONeills own life. This defining event led to his first serious efforts to write. Exorcism displays early examples of ONeills unparalleled skills of capturing deeply personal human drama, and it explores major themesmourning and melancholia, addiction and sobriety, tensions between fathers and sonsthat would permeate his later work. According to Yale Universitys Beinecke Rare Book and Manuscript Library curator Louise Bernard, who acquired the play from a New York bookseller, Exorcism might be read as a preparatory sketch that resonates powerfully with Long Days Journey into Night, one that brings the ONeill family drama full circle in ways at once intimate and grandly conceived.

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Serialized in The New Yorker

Rediscover a lost piece of American theatre history with Eugene O'Neill's *Exorcism: A Play in One Act*, a poignant and intensely personal drama unearthed after nearly a century. This remarkable First Edition hardcover, published by Yale University Press in 2012, offers a unique glimpse into the formative years of one of America's most celebrated playwrights. For decades, *Exorcism* was believed to be irrevocably lost, a casualty of O'Neill's own anxieties surrounding its deeply autobiographical content. The play was suppressed by O'Neill himself shortly after its initial debut, with all known copies ordered to be destroyed. The dramatic rediscovery of the typescript, complete with O'Neill's handwritten edits, represents a major literary event. The survival of this single copy, secreted away by O'Neill's second wife and eventually finding its way into the collection of screenwriter Philip Yordan, offers invaluable insight into the evolution of O'Neill's dramatic style and the raw emotional material that fueled his genius. *Exorcism* delves into the themes of despair, addiction, and familial conflict, all rendered with O'Neill's signature unflinching honesty. The play revolves around a suicide attempt, mirroring a dark and pivotal incident in O'Neill's own lifean event that ultimately spurred him towards serious writing. Experts, including Louise Bernard, curator at Yale Universitys Beinecke Rare Book and Manuscript Library, highlight the play's significance as a "preparatory sketch" for O'Neill's masterpiece, *Long Days Journey into Night*. This connection illuminates the enduring power of the personal demons that haunted O'Neill throughout his life and career, demons that found their ultimate, cathartic expression in his later works. The play was also serialized in The New Yorker, reaching a wide audience. This edition of *Exorcism* is more than just a play; it's a historical artifact, a window into the mind of a tormented genius, and a vital addition to any collection of American dramatic literature. The play's concise length (112 pages) makes it an accessible entry point for those new to O'Neill's work, while its thematic depth and historical significance will captivate seasoned scholars and theatre enthusiasts alike. Its a must-read for anyone interested in the development of modern American drama, the complexities of family relationships, and the struggle against addiction and despair. Own a piece of literary history and explore the raw, autobiographical roots of Eugene O'Neill's unparalleled dramatic vision.
Additional information
Authors

Binding

Condition

ISBN-10

0300181310

ISBN-13

9780300181319

Language

Pages

112

Publisher

Year published

Weight

227

Edition

First Edition

Dewey decimal

812/.52

SKU: M-9780300181319-0 Categories: ,
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