Image Government (Monarchical Metamorphosis in English Literature and Art, 164)

19,38 $

Uncover the hidden political strategies of 17th-century England with T.R. Langley’s “Image Government.” This hardcover edition delves into the sophisticated use of art and literature as propaganda during a period of dramatic political upheaval. Langley exposes how figures like Edmund Waller, John Dryden, and even visual artists like Antonio Verrio, were instrumental in shaping public opinion and legitimizing shifting power structures, particularly during the reigns of Charles II, James II, William III and Mary II, and Anne. Far from a dry historical account, “Image Government” reveals the intense ideological battles fought through poetry, prose, and painting. Langley analyzes how these mediums were employed to promote or undermine concepts of monarchy, divine right, and legitimate succession. Explore the nuances of the Restoration and the Glorious Revolution through the lens of artistic manipulation, and discover how image-making influenced the course of British history. A must-read for students of English literature, history, and art, this book offers a fresh perspective on a pivotal era. It also offers insight in the political manouvering around the important theological issues of the time, such as the Non-Juror controversy. Discover how art was wielded as a powerful tool for shaping public perception and solidifying political control in late Stuart England, and how this compares to the present day.

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‘Spin’ seems to be everywhere in politics nowadays, and is often spoken of as if it were entirely new. This book gives the lie to that claim, showing how the art of the spin-doctor was widely practised over three hundred years ago. The term ‘art’is used here in the sense of artistic imagery as well as of the skill of the spinner in manipulating opinion. Langley discusses the work of authors such as Edmund Waller and painters like Antonio Verrio to illuminate the changing ideologies of the late Stuart era and the way in which ideas about sovereignty were expressed by artists. Image Government traces some of the cranks and windings, ebbings and flowings that lead from Charles I’s downfall to Queen Anne’s coronation, as they are registered in printed literature and visual art. The poetry of Marvell and Dryden, multifarious political writings by greater and lesser figures, and the works of significant divines like the Whiggish Burnet, and Hickes, doyen of the non-jurers, are all used to show how the expression of ideas changed in the second half of the seventeenth century. While his awareness of the contributions of modern scholarship is everywhere apparent, the author shows a magisterial grasp of often under-exploited primary sources. This book will be a valuable addition to the libraries of all students and scholars of later seventeenth-century literature, history and art in bringing to light aspects of sovereignty and the underlying principles of political cohesion in the period which have hitherto been little understood.

Delve into the intricate world of late Stuart England with T.R. Langley's "Image Government: Monarchical Metamorphosis in English Literature and Art, 1640-1702." This meticulously researched First Edition hardcover unveils the sophisticated "spin" tactics employed by political figures and artists alike during a transformative period in British history. Far from being a modern invention, Langley demonstrates how the art of shaping public opinion through carefully crafted imagery and rhetoric flourished over three centuries ago. "Image Government" expertly navigates the turbulent years between Charles I's execution and Queen Anne's ascension, tracing the evolution of monarchical ideology as reflected in both literary and visual arts. Langley masterfully analyzes the works of prominent authors such as Edmund Waller, John Dryden, and Andrew Marvell, alongside lesser-known political voices and influential divines like Gilbert Burnet and George Hickes, showcasing how the expression of political and religious ideas shifted dramatically in the latter half of the 17th century. The book doesn't shy away from theological complexity. Burnet was a controversial figure at the time, as was Hickes who was a proponent of the Non-Juror movement. But Langley's exploration extends beyond the printed word, encompassing the visual arts of the era. The author illuminates the propagandistic power of paintings by artists such as Antonio Verrio, revealing how they were used to shape perceptions of sovereignty and reinforce shifting power dynamics. By examining a wide range of artistic mediums, "Image Government" reveals the profound interplay between politics, literature, and art in shaping the cultural landscape of late Stuart England. This book distinguishes itself by its deep engagement with primary source materials. Langley goes beyond conventional interpretations, offering fresh insights into often-overlooked aspects of sovereignty and political cohesion during this pivotal period. The author's expertise is evident in their ability to synthesize complex historical, literary, and artistic trends, presenting a nuanced and compelling account of the era's ideological struggles. "Image Government" is more than just a historical analysis; it's a study of the enduring power of image and rhetoric in shaping political realities. The book's examination of spin resonates powerfully with contemporary concerns, reminding us that the manipulation of public opinion is a timeless political tool. The book also explores in depth the important political concept of 'divine right of kings', exploring how it was used, supported and subverted during this period of English history. This invaluable resource is essential for students and scholars of 17th-century English literature, history, and art. Its comprehensive scope and insightful analysis will enrich your understanding of this complex and fascinating period in British history. Weighing 590g and spanning 260 pages, "Image Government" offers a substantial and rewarding exploration of the monarchical metamorphosis that defined late Stuart England, published in 2001 by Ingram Publisher Services.
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Authors

Binding

Condition

ISBN-10

0227679636

ISBN-13

9780227679630

Language

Pages

260

Publisher

Year published

Weight

590

Edition

First Edition

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