Open yourself up again to all that terrible light and savage bliss and deafening reverberation
In the Summer of 1971, a charismatic family seeks refuge in the quiet, English coastal backwater of Pett Level. Bran Cleary is a controversial Irish muralist; his fractious and promiscuous wife (and muse) ‘Lonely’ Allaway is half Aboriginal; their strange, sickly daughter, Orla Nor, is almost a Saint.
Thirteen years later, a shifty individual turns up in Pett Level, apparently determined to get to the bottom of the bizarre and ultimately tragic events which unfolded in the aftermath of that arrival. But does he really want to understand, or is he just way too close to the story to make any clear sense of it? And what of the locals who seem so determined to resist and undermine his investigations?
In The Approaches is a fabulously twisted comedy of very bad manners which starts out as a seaside idyll and ends up as a pilgrimage sometimes sacred, sometimes profane, and frequently both at once. Set in a 1984 which seems almost as distantly located in the past as Orwells was in the future, Nicola Barkers tenth novel offers a captivating glimpse of something more shocking than any dystopia the possibility of faith.
Dive into the wickedly funny and profoundly unsettling world of Nicola Barker's "In the Approaches," a literary masterpiece that will keep you guessing until the very last page. Published in 2015 by Fourth Estate, this 512-page paperback is more than just a novel; it's a twisted pilgrimage into the heart of faith, memory, and the dark underbelly of idyllic English life. Set against the backdrop of Pett Level, a quiet coastal village, the story unfolds in two distinct timelines. In the summer of 1971, the arrival of the Cleary familyBran, a controversial Irish muralist; Lonely, his enigmatic, half-Aboriginal wife and muse; and Orla Nor, their strange, almost saintly daughtershatters the peace. Their presence is a vibrant, disruptive force, promising both artistic inspiration and simmering chaos. Barker masterfully captures the intoxicating allure of this unconventional family, drawing readers into their orbit with her signature blend of sharp wit and psychological insight. Thirteen years later, in a vividly realized 1984 that feels both familiar and eerily distant, a mysterious figure arrives in Pett Level, determined to unravel the secrets surrounding the Cleary's tragic departure. This investigator stirs up long-dormant resentments and suspicions, forcing the tight-knit community to confront the uncomfortable truths they've buried deep within. But is his quest for understanding genuine, or is he driven by a more personal, perhaps even sinister, agenda? The locals, fiercely protective of their past, offer resistance at every turn, creating a web of intrigue that deepens with each chapter. Nicola Barker, known for her distinctive voice and unconventional storytelling, delivers a narrative that is both hilarious and deeply unsettling. "In the Approaches" is a comedy of bad manners, a seaside idyll turned dark, and a profound exploration of faith, doubt, and the human condition. Barker doesn't shy away from the messy realities of life, embracing the contradictions and complexities that make us who we are. She has received high praise for her unique and experimental writing style which is evident in this book. Critics have noted her bold use of language and the way she pushes the boundaries of conventional narrative structure. This is not a straightforward mystery; it's a literary exploration of memory, identity, and the enduring power of the past. Barker's prose is sharp, insightful, and often laugh-out-loud funny, even as she delves into the darker aspects of human nature. "In the Approaches" is a captivating and thought-provoking read that will stay with you long after you've turned the final page. It is a must-read for fans of literary fiction, genre fiction, and anyone who appreciates a well-crafted, challenging, and ultimately rewarding novel. Prepare to be captivated by Barker's unique vision and her unforgettable characters.