That which is seen and the act of seeing have long been preoccupations of Irish-born artist James Coleman. Having rejected painting in the 1970s, Coleman turned to the reproductive media of video and film, as well as theater projects, but his preferred format remains photography displayed through large-scale slide projection. Extraordinarily precise, both pictorially and narratively, his audio visual works are reminiscent of scenes from daily life, film, and literature, offering tightly orchestrated social situations shot in in colorful, multiple fade-over stills accompanied by spoken text with a highly differentiated soundtrack–but with a narrative structure that remains enigmatic. This publication features a detailed essay by noted film theorist Kaja Silverman and a specially reconstructed version of Coleman’s 1973 slide projection Seagulls.
Dive into the captivating world of James Coleman with this comprehensive exploration of his innovative and enigmatic work. This meticulously crafted hardcover volume, published by Hatje Cantz in 2002, serves as both a stunning visual record and a critical analysis of Coleman's unique approach to art. Spanning 208 pages, this bilingual (English) edition provides an unparalleled opportunity to understand the artist's pioneering use of slide projection, film, and audio-visual techniques. James Coleman, an Irish-born artist, famously abandoned painting in the 1970s to explore the potential of reproductive media. This book delves into his career, highlighting his masterful manipulation of photography, particularly through large-scale slide projections. Coleman's works are known for their extraordinary precision both visually and narratively. He crafts scenes that echo daily life, cinematic moments, and literary passages, presenting tightly orchestrated social situations captured in vividly colorful, multiple fade-over stills. These visuals are complemented by spoken text and a highly differentiated soundtrack, creating a layered and immersive experience for the viewer. However, the brilliance of Coleman's art lies not just in its technical execution, but also in its deliberate ambiguity. The narrative structures of his pieces often remain elusive, inviting viewers to engage actively in the interpretation and construction of meaning. This publication acts as a key to unlocking some of the mysteries within Coleman's oeuvre. This book features a significant contribution from renowned film theorist Kaja Silverman, whose detailed essay provides invaluable insights into Coleman's artistic philosophy and practice. Silverman's analysis explores the complex relationship between seeing, perception, and the construction of narrative within Coleman's work. Her expertise offers a deeper understanding of the artist's challenges to conventional modes of representation and his exploration of the human condition. A highlight of this volume is the specially reconstructed version of Coleman's seminal 1973 slide projection, "Seagulls." This reconstruction allows readers to experience the piece in a new and engaging way, offering a glimpse into the early stages of Coleman's artistic development and his groundbreaking approach to the medium. "Seagulls," a key work in Coleman's early career, underscores the artist's deep engagement with the interplay between image, sound, and time. Whether you are a seasoned art enthusiast, a student of film and visual culture, or simply curious about the work of this influential artist, this book provides a rich and rewarding experience. It is an essential addition to any collection of art criticism, photography, or contemporary art. With its scholarly essays, stunning visuals, and in-depth analysis, "James Coleman" offers a comprehensive and illuminating portrait of one of the most important artists of our time. This book weighs 1089 grams, making it a substantial and high-quality publication. ISBN-13: 9783775791137 and ISBN-10: 3775791132.