Memoire De La Liberte (Declaration Universelle des Droits de L’Homme)

"Mmoire de la Libert (Declaration Universelle des Droits de l'Homme)" is a compelling and visually arresting exhibition catalog published in 1991 by Sedcome Paris under the patronage of Fondation France Liberts. This exceptional catalog transcends the typical exhibition souvenir, serving as a powerful artistic interpretation of the Universal Declaration of Human Rights. This first edition thus (1st THUS) paperback book documents a significant collective exhibition inspired by the core tenets of the Universal Declaration. The exhibition brought together a diverse array of internationally acclaimed artists, each contributing their unique vision to reflect on the themes of freedom, justice, and human dignity. Within the 150 pages of this large-format (4to) catalog, readers will discover a rich tapestry of artistic styles and perspectives. The catalog features vibrant color plates showcasing the artwork of each participating artist. The artists featured include Valerio Adami, Pierre Alechinsky, Arakawa, Fernandez Arman, Joseph Beuys, Bram Bogart, Chong Ha Byun, Luis Caballero, Sandro Chia, Javacheff Christo, Robert Combas, Sergio Ferro, Sam Francis, Gerard Garouste, Nancy Graves, David Hockney, Robert Indiana, Paul Jenkins, Joseph Kosuth, Sol Lewitt, Jean Miotte, Zoran Music, Mimmo Paladino, Mimmo Rotella, Niki de Saint Phalle, David Salle, Jos Maria Sicilia, Susana Solano, Rafael Jesus Soto, and Maria Helena Vieira Da Silva, thus providing a survey of important 20th-century artists. Beyond the captivating visuals, "Mmoire de la Libert" presents the articles of the Universal Declaration of Human Rights in multiple languages, emphasizing the declaration's global significance and universal applicability. This multilingual approach underscores the exhibition's commitment to reaching a broad audience and promoting cross-cultural understanding. Adding further depth and context, the catalog includes concise biographical sketches and black-and-white photographs of the participating artists. These biographical notes offer valuable insights into the artists' backgrounds, influences, and artistic philosophies, enhancing the reader's appreciation of their contributions to the exhibition. This catalog represents a fusion of art and activism. It is more than just a record of an exhibition; it is a testament to the enduring power of art to raise awareness, inspire dialogue, and promote the fundamental principles of human rights. "Mmoire de la Libert" is a must-have for art collectors, human rights advocates, and anyone interested in the intersection of art and social justice. The book is in fine condition.