In Recursive Origins: Writing at the Transition to Modernity, William Kuskin asks us to reconsider the relationship between literary form and historical period. As Kuskin observes, most current literary histories of medieval and early modern English literature hew to period, presenting the Middle Ages and modernity as discrete, separated by a heterodox and unstable fifteenth century. In contrast, the major writers of the sixteenth centuryPhilip Sidney, Edmund Spenser, William Shakespeare, the Holinshed Syndicate, and their editorswere intense readers of the fifteenth century and consciously looked back to its history and poetry as they shaped their own. Kuskin examines their work in light of the writings they knewthat of Thomas Hoccleve, John Lydgate, William Caxton, and the anonymous London Chroniclesto demonstrate that fifteenth-century textual forms exist within the most significant statements of literary modernity. In short, by reconsidering the relationship between literary form and temporality, we can reach across the firewall of 1500 to write a more complex literary history of reading and writing than has previously been told.
Moving beyond his central critiquethat notions of period and progress are poor measures of literary historyKuskin develops and demonstrates the hermeneutic power of recursivity as a powerful challenge to a linear view of literary historical periods. Kuskin appropriates the term recursion from computer science, where it describes a computer programs return to a subprogram within itself to perform a more complex procedure. Books, for Kuskin, are recursive: they imagine within themselves a return to an earlier moment of writing, which, when read, they enact in the present. His is a profound claim for the grip of the past on the present and, more locally, a reclamation of the importance of the fifteenth century for any discussion of sixteenth-century literature and of the relationship between the medieval and the early modern.
Embark on a groundbreaking journey through literary history with William Kuskin's "Recursive Origins: Writing at the Transition to Modernity." This first edition paperback challenges conventional periodization, urging readers to reconsider the dynamic relationship between literary form and historical context. Kuskin expertly dismantles the traditional divide between the Middle Ages and modernity, revealing the intricate ways in which sixteenth-century literary giants consciously engaged with and drew inspiration from their fifteenth-century predecessors. Forget the rigid firewall of 1500! Kuskin meticulously demonstrates how writers like Philip Sidney, Edmund Spenser, and William Shakespeare, along with the Holinshed Syndicate, were deeply influenced by the works of Thomas Hoccleve, John Lydgate, William Caxton, and the anonymous London Chronicles. He unveils how these earlier textual forms resonate within the most significant expressions of literary modernity, creating a rich tapestry of intertextuality and historical consciousness. This isn't just another literary history; it's a profound rethinking of how we understand the evolution of literature. Kuskin doesn't merely critique the limitations of period-based analysis, he introduces the powerful concept of "recursivity" as a hermeneutic tool. Drawing from computer science, where recursion signifies a program's return to a subprogram to execute a more complex task, Kuskin argues that books similarly engage in recursive processes. They inherently imagine and enact a return to earlier moments of writing, bridging the past and present in a dynamic and meaningful way. "Recursive Origins" is more than a scholarly analysis; it's a passionate reclamation of the fifteenth century's vital role in shaping sixteenth-century literature. It forces us to confront the enduring influence of the past on the present and to appreciate the complex, non-linear nature of literary history. Through insightful readings and innovative theoretical frameworks, Kuskin offers a compelling argument for a more nuanced and interconnected understanding of literary development. This book is essential reading for scholars and students of medieval and early modern literature, as well as anyone interested in the intricate dance between tradition and innovation. Published by the University of Notre Dame Press, "Recursive Origins" is a thought-provoking and meticulously researched exploration of literary history that will change the way you think about the past and its enduring relevance to the present. Prepare to have your assumptions challenged and your understanding of literary history profoundly enriched. Kuskin's work is not just a contribution to the field; it's a paradigm shift.