Funny, bewildered, guilty, more than half-mad, the voice that narrates Dermot Healy’s Sudden Times is like a nightmarish illustration of the old bumper sticker that says: Just Because You’re Paranoid Doesn’t Mean They’re Not Out to Get You. Something terrible happened to Ollie Ewing while he was working construction in London, and as he wanders the streets and pubs of his hometown Sligo, he keeps his memories at bay with a ceaseless round of activity–walking, working, then walking some more. “What I’ve discovered is–once you’re moving you’re thinking, it’s when you’re not moving that things go awry. This numbness starts in the brain and what you see would sicken you.” Ollie hears voices, although he tries to drown them out, and the world around him is shimmery and numinous, full of hidden and unfriendly signs. An empty wedding dress hanging in a cleaner’s window transforms each night into the faceless apparition of a bride, and when he closes his eyes, he sees flames, courtrooms, corpses stuffed in the back of lorries. Eventually even this slight purchase on reality slips, and as Ollie travels to England to reconcile with his father, the book telescopes horribly backward, to his time in London and the mess it made of his life.
There, Ollie worked as a day laborer on building sites, joining a shadowy underworld of foreign workers, crooked bosses, violence, and drugs. This in spite of his best efforts to stay out of trouble: I don’t like hearing talk of governments. Politics makes me dizzy. They’re cat. If you’re paranoid about government then the psyche is unsettled. You’re not well. Next thing is you’re standing in Saint Columba’s in your pyjamas talking to some bollacks about the phallus and chewing something to bring you down. But this is an Irish novel, of course, its rough, lyric vernacular haunted by the ghosts of Beckett and Joyce, and Ollie’s great tragedy is that politics find him whether he likes it or not. The strains of the traditional song “Cunla” torment him along with the voices of his dead, and the “reels and jigs” that echo through his head have names like “Rifles from High Buildings,” “Protection Rackets,” “Come Back Me Auld Mate,” and “Is the Place Being Watched?” If the book has a fault, it’s that its first half simply slips away; we’re drawn into Ollie’s London story, and the trip we took to get there seems in retrospect like an extended narrative tease. But in trying to make the two halves fit together, you might well pay this mad and beautifully terrifying novel the highest praise of all: that is, to read the last page, and immediately turn to the beginning and start again. –Mary Park
Dive into the fractured mind of Ollie Ewing in Dermot Healy's mesmerizing and unsettling novel, *Sudden Times*. This paperback edition, published by Faber & Faber, offers a harrowing journey through paranoia, memory, and the lingering wounds of political violence. More than just general fiction, this book paints a vivid, often disturbing, portrait of Irish identity against the backdrop of London's underbelly and the stark realities of Sligo. *Sudden Times* follows Ollie as he attempts to outrun a past shrouded in trauma. Having worked in London's construction scene, Ollie returns to his hometown, Sligo, haunted by fragmented memories and plagued by voices. His desperate attempts to stay in motion constantly walking and working are fueled by the chilling realization that stillness invites the demons of his past to surface. Healy masterfully captures Ollie's descent into a state of near-madness, blurring the lines between reality and hallucination. The novel explores the gritty realities of the lives of immigrant workers in London, exposing a world of exploitation, drug abuse, and violence. Ollie's struggle to remain apolitical is futile, as the echoes of Irish history and the ever-present tensions of political conflict seep into his consciousness, manifesting in disturbing visions and the recurring strains of traditional Irish songs twisted into ominous refrains. Healy's writing is lyrical and raw, drawing comparisons to literary giants like Beckett and Joyce. His use of Irish vernacular adds a layer of authenticity and depth to the narrative, immersing the reader in Ollie's fragmented world. Readers have described Healy's prose as both beautiful and brutal, capable of eliciting both empathy and unease. The novel's strength lies in its unflinching portrayal of mental instability and the enduring impact of trauma on the individual psyche. Some critics note the novel's shifting narrative structure, with the London experiences initially feeling somewhat disconnected from Ollie's present in Sligo. However, this very disjointedness mirrors Ollie's own fractured state of mind, ultimately contributing to the novel's overall power. Many argue that this narrative approach is intentional, serving to disorient the reader and more deeply communicate the main character's internal experience. *Sudden Times* is not a light read. It is a challenging and rewarding experience that will stay with you long after you turn the final page. With 352 pages, and an ISBN-13 of 9780571281862, its a compelling exploration of the human condition, memory, and the search for meaning in a world rife with chaos and political tension. Prepare to be captivated by Dermot Healy's masterful storytelling and Ollie Ewing's unforgettable journey through the darkness. Perfect for readers who appreciate literary fiction with a dark edge and those interested in exploring themes of trauma, identity, and the lasting effects of political violence. Weighing only 278g, it's perfect for travel or reading anywhere.