Triloga contra la opresin:: En el pas de Jauja (1961) ; El hroe (1965) ; El juego de la medalla (1976)

Discover a powerful collection of socially conscious theatre with Antonio Martnez Ballesteros’ *Triloga contra la opresin* (Trilogy Against Oppression). This paperback edition, published in 1997 by Asociacin de Autores de Teatro, brings together three of Ballesteros’ most impactful plays: *En el pas de Jauja* (In the Land of Cockaigne, 1961), *El hroe* (The Hero, 1965), and *El juego de la medalla* (The Medal Game, 1976). Spanning 227 pages, this Spanish-language anthology offers a profound exploration of societal pressures, political maneuvering, and the individual’s struggle against oppressive forces. Antonio Martnez Ballesteros (1929-2023) was a significant figure in 20th-century Spanish theatre. His work often reflected the social and political realities of Spain under the Franco regime and its aftermath. While sometimes categorized as aligned with social realism, his plays often transcend simple categorization, incorporating elements of satire, allegory, and psychological depth to critique power structures and explore the human condition. He was known for his sharp wit and unflinching portrayal of societal ills, making his work both thought-provoking and deeply engaging. This collection showcases his evolving style and consistent commitment to using theatre as a platform for social commentary. *En el pas de Jauja*, written early in his career, uses the mythical “Land of Cockaigne” as a backdrop to satirize the pursuit of easy wealth and the emptiness of material indulgence. The play critiques societal values that prioritize superficial gain over genuine human connection. *El hroe*, written a few years later, delves into the complexities of heroism and the corrupting influence of power. It questions the nature of leadership and the sacrifices made in the name of ambition. The play examines how the societal pressures can mold individuals into something they are not. *El juego de la medalla*, written towards the end of the Franco regime and after the transition, explores the themes of social climbing and the superficiality of honors in a society still grappling with its past. This later play reflects on the lasting effects of a dictatorship and the challenges of building a more just and equitable society. The play uses dark humor and pointed dialogue to unmask the hypocrisy hidden beneath the veneer of respectability. This trilogy is particularly relevant for students of Spanish literature, theatre history, and political science. It offers valuable insights into the socio-political landscape of Spain during a pivotal period. While the themes are rooted in a specific historical context, the plays’ exploration of power, corruption, and individual resilience resonates with contemporary audiences. The plays provide a powerful exploration into the themes of oppression, societal pressure, and the struggle for individual freedom, and are highly regarded for their insightful commentary and enduring relevance. Explore the depths of Spanish theatre and uncover the enduring power of protest with *Triloga contra la opresin*.