The first visual and critical guide to the work of Wenda Gu, a major contemporary Chinese-American artist.
Wenda Gu is one of the leading contemporary Chinese artists of his generation. Known by some as the hair artist and remembered by others as the artist whose monumental installation was violently destroyed by a Russian artist at the infamous Interpol exhibition (Stockholm, 1996), he is part of the diaspora that has sent many Chinese artists to the West over the past twenty years. He has built his reputation on reinvigorating ancient Chinese symbols and practices–the seal, calligraphy, ink painting–with contemporary vision and meaning.Wenda Gu often uses genetic material–hair and blood–as his medium. His most ambitious, ongoing project, the United Nations series, consists of installations at sites around the world in which hair is used to create works of art emblematic of a future not ruled by racial or national boundaries. To mark the British handover of Hong Kong to China, for example, he created United Nations: Hong Kong Monument: The Historical Clash, which consisted of a Chinese flag made of Chinese hair, a Union Jack made of British hair, and hair cuttings from Hong Kong scattered on the floor. These united nations monuments have been installed so far in Australia, Canada, China, France, Great Britain, Holland, Hong Kong, Japan, Italy, Poland, Russia, South Africa, South Korea, Sweden, Taiwan, and the United States. Wenda Gu: Art from Middle Kingdom to Biological Millennium is the most comprehensive presentation of Wenda Gu1/2s work to date. Two generous sections of plates document the United Nations series and other projects, many of which are presented in the exhibition this book accompanies. The book also includes previously unpublished writings by Gu, an interview with the artist by David Cateforis, and essays by Mark Bessire, the co-curator of the exhibit, and Gao Minglu and Gan Xu, both leading authorities on the new Chinese avant-garde.
**Delve into the Provocative Art of Wenda Gu: A Journey from Cultural Roots to Biological Frontiers** Explore the groundbreaking work of Wenda Gu, a pivotal figure in contemporary Chinese-American art, with "Wenda Gu: Art from Middle Kingdom to Biological Millennium." This comprehensive volume, published by The MIT Press, serves as both a visual feast and a critical examination of an artist who fearlessly bridges cultural divides and explores the complex relationship between tradition and modernity. Authored by Mark H.C. Bessire, alongside insightful contributions from leading scholars like Gao Minglu and Gan Xu, this book offers an unparalleled look into Gu's artistic evolution. Wenda Gu, an artist renowned for his thought-provoking installations and innovative use of unconventional materials, has captivated the art world for decades. He masterfully blends ancient Chinese artistic practices, such as calligraphy, seal carving, and ink painting, with a distinctly contemporary vision. This book meticulously chronicles Gu's journey, providing a rich understanding of his artistic intentions and the profound cultural contexts that inform his work. A defining aspect of Gu's oeuvre is his daring exploration of genetic material, most notably human hair. He employs this unexpected medium to create powerful statements about identity, globalization, and the blurring of boundaries in an increasingly interconnected world. The book delves into his most ambitious and ongoing project, the "United Nations" series, a global tapestry of installations crafted from collected hair from diverse populations. These monumental works, installed in locations spanning the globe, serve as poignant reminders of our shared humanity and the potential for unity beyond national and racial divides. Imagine flags constructed from hair, symbols of national identity rendered fragile and transformed into testaments of interconnectedness. One striking example highlighted in the book is Gu's "United Nations: Hong Kong Monument: The Historical Clash," created to mark the British handover of Hong Kong to China. This installation, featuring a Chinese flag made of Chinese hair, a Union Jack made of British hair, and hair cuttings from Hong Kong, powerfully symbolizes the complex historical and cultural forces at play during this significant transition. Bessire's book provides context and critical analysis allowing you to interpret and appreciate this symbolic piece. Beyond the "United Nations" series, "Wenda Gu: Art from Middle Kingdom to Biological Millennium" showcases a wide range of Gu's projects, revealing the depth and breadth of his artistic vision. Through stunning photography and insightful essays, the book offers a comprehensive overview of Gu's artistic practice. You'll gain an appreciation for the artist's evolution from his early explorations of traditional Chinese art forms to his more recent, large-scale installations that challenge conventional notions of art and identity. This hardcover edition features not only breathtaking images of Gu's artwork but also includes previously unpublished writings by the artist himself, offering a rare glimpse into his creative process and artistic philosophy. An insightful interview with Gu by David Cateforis further enriches the reader's understanding of his motivations and inspirations. The essays by Mark Bessire, Gao Minglu, and Gan Xu provide valuable critical perspectives, situating Gu's work within the broader context of contemporary art and the evolving landscape of Chinese art. Whether you are a seasoned art enthusiast, a student of contemporary Chinese art, or simply curious about the power of art to transcend cultural boundaries, "Wenda Gu: Art from Middle Kingdom to Biological Millennium" is an essential addition to your library. This book is more than just a catalogue; it's an invitation to engage with the provocative and transformative art of Wenda Gu, an artist who challenges us to rethink our understanding of identity, culture, and the shared future of humanity. Discover the artist who daringly uses hair and blood as medium and whose installations are found in more than a dozen countries!